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Also known as miKro RG series, this model is a smaller scale guitar designed for smaller hands, with a 22 inch, 24-fret neck, based upon the RG neck. These models use a fixed through-body bridge. While normally provided with 2 pickups, a model was made available which replaced the neck pickup with an onboard 2.5 watt amplifier.
The scale, at 640 mm, and fretting of the early guitars was very similar to other contemporary guitars (including the Gibson and Martin guitar designs from which most modern acoustic guitar patterns ultimately derive), but with a wide fretboard more typical of a classical guitar; they also had 12 frets clear of the body, although left hand ...
A body much larger than most other guitars provided the dreadnought with a bolder, perhaps richer, and often louder tone. It is distinguished by its size and (in its most popular configuration) square shoulders and bottom. The neck is usually attached to the body at the 14th fret. [1] [3] Martin dreadnought guitars are known as "D-size" guitars.
Founded by Semie Moseley, Mosrite guitars were played by many rock and roll and country artists. Mosrite guitars were known for innovative design, high-quality engineering, very thin, low-fretted and narrow necks (though Mosrite used taller frets and wider necks after the 1960s,) and extremely hot (high output) pickups.
Generally regarded as Gibson's most famous and widely used acoustic guitar model, it is considered the workhorse of guitars. The Jumbo guitar is signified by the "J" and not to be confused with C.F. Martin & Company's Dreadnought body style. In 1934 the jumbo was Gibson's competing response to Martin's "D" line body shape of 1930s. The jumbo is ...
The last 360/12 OS was produced in Fireglo and made in December 1968 S/N HL1725.(Ref. R.Smith) [citation needed] After 1969, the 360/12 gained a 24-fret neck instead of the traditional 21-fret neck. Two models were produced: the two-pickup 360/12, and the three-pickup 370/12 (favored by Roger McGuinn of The Byrds ).
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