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"Martha My Dear" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as the "White Album"). Credited to Lennon–McCartney, the song was written solely by Paul McCartney, and was named after his Old English Sheepdog, Martha.
The original 1978 vinyl release of the soundtrack omitted some of the material. The design of the record's inner sleeve reflected the Apple/EMI 1962–1966 ("Red") and 1967–1970 ("Blue") compilation Beatles albums released in 1973, with printed lyrics, red, blue and white layouts, and the track listing for the two album sides using similar periods (side one: 1962–67, side two: 1967–70).
Stanley Reynolds and Ronnie Hughes – trumpet on "Martha My Dear" [267] Chris Shepard – stumpf fiddle on "The Continuing Story of Bungalow Bill" [268] Tony Tunstall – French horn on "Martha My Dear" [267] John Underwood and Keith Cummings – viola on "Glass Onion" [268] Leo Birnbaum and Henry Myerscough – viola on "Martha My Dear" [267]
This is a list of cover versions by music artists who have recorded one or more songs written and originally recorded by English rock band The Beatles.Many albums have been created in dedication to the group, including film soundtracks, such as I Am Sam (2001) and Across the Universe (2007) and commemorative albums such as Sgt. Pepper Knew My Father (1988) and This Bird Has Flown (2005).
Madman (Beatles song) Maggie May (folk song) Magical Mystery Tour (song) Martha My Dear; Matchbox (song) Maxwell's Silver Hammer; Mean Mr. Mustard; Memphis, Tennessee (song) Michelle (song) Midnight Special (song) Misery (Beatles song) Mr. Moonlight (song) Money (That's What I Want) Moonlight Bay; Mother Nature's Son; My Bonnie Lies over the Ocean
"Fly Me High" is a cover of the 1967 song by the Moody Blues. "If This World Were Mine" is a cover of the 1967 duet by Marvin Gaye and Tammi Terrell. "Martha My Dear" is a cover of the 1968 song by The Beatles. The band would later perform the song on the BBC children's show Monster Music Mash in 1969 when promoting the single "Wild Winds Are ...
By the mid-1960s, the Beatles became interested in tape loops and found sounds. [36] [37] Early examples of the group sampling existing recordings include loops on "Revolution 9" [37] (the repetitive "number nine" is from a Royal Academy of Music examination tape, some chatter is from a conversation between George Martin and Apple office manager Alistair Taylor, and a chord from a recording of ...
I. I Am the Walrus; I Call Your Name; I Don't Want to See You Again; I Don't Want to Spoil the Party; I Feel Fine; I Saw Her Standing There; I Should Have Known Better