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This is a list of medieval musical instruments used in European music during the Medieval period. It covers the period from before 1150 to 1400 A.D. There may be some overlap with Renaissance musical instruments; Renaissance music begins in the 15th century. The list mainly covers Western Europe.
1 Renaissance (1400–1600) Toggle Renaissance (1400–1600) subsection. 1.1 Strings. ... This article consists of a list of such instruments in the European ...
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
Ferrara Ensemble (Crawford Young), Basel: medieval and Renaissance; Gli Angeli Genève, Geneva: baroque ensemble; La Fiamma: medieval and renaissance ensemble; Les Passions de l’Âme – Orchester für Alte Musik Bern (Meret Lüthi): baroque orchestra; Students of the Schola Cantorum Basiliensis (Rene Jacobs), based in Basel: medieval to baroque
Medieval instruments in Europe had most commonly been used singly, often self-accompanied with a drone, or occasionally in parts. From at least as early as the 13th century through the 15th century there was a division of instruments into haut (loud, shrill, outdoor instruments) and bas (quieter, more intimate instruments). [ 18 ]
Musical instruments used in early music, i.e. Medieval, Renaissance, and Baroque European classical music, especially those instruments no longer widely used today.
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music .
Medieval musicians had a wide variety of instruments available to them. These included the shawm, fiddles, rebec, crwth, portative organ, trumpet, timbrel, lute and bagpipe. [3] In Anglo-Saxon England, the professional poet was known as a scop ("shaper" or "maker"). Often attached to a royal or noble court, he composed his own poems, and sang ...
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