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In the cinema of the United States, a unit production manager (UPM) is the Directors Guild of America–approved title for the top below-the-line staff position, responsible for the administration of a feature film or television production. Non-DGA productions might call it the production manager or production supervisor.
The production manager of a musical ensemble is in charge of the technical crew. The technical crew moves independently of the band because the technical crew must arrive at the gig location by the morning of the show to start setting up the equipment. The band members usually arrive much later, just before the event itself.
According to Producers Guild of America (PGA) guidelines, the line producer is the individual who reports directly to the individual(s) receiving "Produced by" credit on the theatrical motion picture and is the single individual who has the primary responsibility for the logistics of the production, from pre-production through completion of production; all department heads report to the line ...
In television, the executive producer credit is often applied to individuals who are involved with the production in a hands-on capacity; an executive producer usually supervises the creative content, plans and schedules the filming with the producer and team, and may be involved in the financial budgeting of a production.
Theatrical production management is a sub-division of stagecraft.The production management team (consisting of a production manager and any number of assistants) is responsible for realizing the visions of the producer and the director or choreographer within constraints of technical possibility.
The floor manager represents the director on the studio floor, and gives instructions and direction to crew, cast, and guests. It is closest to the role of an assistant director, as the job frequently entails barking orders to keep a production on schedule. The floor manager is always in direct contact with the director via talkback in the ...
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