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The adoption of red-figure painting, imitating Athenian vases, occurred only after 490 BC, half a century after the style had been developed. Because of the technique used, the earliest examples are known as pseudo-red-figure vase paintings. The true red-figure technique was introduced much later, near the end of the 5th century BC.
Side A from an Attic red-figure amphora, c. 530 BC, from Vulci. Louvre Museum, Paris. Andokides was an ancient Athenian vase painter, active from approximately 530 to 515 BC. [1] His work is unsigned and his true name unknown. He was identified as a unique artistic personality through stylistic traits found in common among several paintings.
It is a red-figure vase made of terracotta and attributed to the painter of the Berlin Hydria. [4] The vase is from the region of Attika and is 21.9375 in (55.8) cm high and 22.9375 in (58.3) cm in diameter. [4] The figures and poses seen are representative of the time in which it was made, evoking a sense of pathos and showing motion. The ...
It imitated Attic red-figure products. Campanian vase painting is subdivided into three main groups: Medea killing one of her children; neck amphora by the Ixion painter, circa 330 BC. Paris: Louvre. The first group is represented by the Kassandra Painter from Capua, still under Sicilian influence, especially by the Chessboard Painter.
In archaeological scholarship, the term Mannerists describes a large group of Attic red-figure vase painters, stylistically linked by their affected painting style. The group comprised more than 15 artists. They preferred to paint column kraters, hydriai and pelikes. They were active from about 480 BC until near the end of the 5th century BC.
He began his career painting for the potters Kleophrades and Euphronios, before beginning a long collaboration with the potter Python. He signed 39 vases as a painter, also one as a potter and painter, [1] and one vase as a potter only. [2] Between 250 and 300 vases are ascribed to him. [3] The majority of these vases are kylixes, i.e. cups.
A Handbook of Greek Vase Painting. Sparks, NV: Falcon Hill Press, 1995. Mitchell, Alexandre G. Greek Vase-Painting and the Origins of Visual Humour. New York: Cambridge University Press, 2009. Noble, Joseph Veach. The Techniques of Painted Attic Pottery. New York: Watson-Guptill, 1965. Oakley, John Howard. The Greek Vase: Art of the Storyteller ...
It is the work of the Suessula Painter, an Athenian vase-painter whose name is unknown. He worked in both Corinth and Athens and is recognizable by his style, with great freedom of posture and a unique shading of figures. Created around 410–400 BCE, this notable example of red-figure pottery stands 69.5 cm tall, 32 cm wide.
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