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Red-figure pottery (Ancient Greek: ἐρυθρόμορφα, romanized: erythrómorpha) is a style of ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the natural red or orange color of the clay. It developed in Athens around 520 BC and remained in use until the late 3rd ...
The artist, Onesimos, used red-figure technique for the decoration, which was invented in Athens around 530 B.C. and quickly became one of the leading modes of decoration Athenian potters used. [2] Red-figure technique was favored because it allowed for a greater representation of garments, emotions and anatomy making it useful for artists ...
Geometric art in Greek pottery was contiguous with the late Dark Age and early Archaic Greece, which saw the rise of the Orientalizing period. The pottery produced in Archaic and Classical Greece included at first black-figure pottery, yet other styles emerged such as red-figure pottery and the white ground technique.
Early produce is described as pseudo-red-figure Etruscan vase painting, due to its differing technique. Only by the end of the 5th century was the true red-figure technique introduced to Etruria. For both pseudo- and true red-figure, numerous painters, workshops and production centres have been recognised.
A typical Attic red-figure cup with meander pattern at borders, by the Eretria Painter, c. 440–435 BC, red-figure pottery, Louvre Ancient Greek meanders on the base of a column from the ruins of the Temple of Apollo at Didyma , Turkey , unknown architect or sculptor, c. 300-150 BC [ 4 ]
The Andokides workshop began the production of red-figure pottery around 530 BC. Gradually, the new red-figure technique began to replace the older black-figure style. Euphronios was to become one of the most important representatives of early red-figure vase painting in Athens. Together with a few other contemporary young painters, modern ...
A different example of the eye-cup shape. Chalkidian black-figure eye-cup, circa 530 BC The bilingual eye-cup by the Andokides painter in the Museo Archeologico Regionale, Palermo (not illustrated), is a prime example of the transition from black-figure vase painting to the red-figure style in the late 6th century to early 5th century BC that commonly resulted in "bilingual" vases, using both ...
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
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