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Slug and Lettuce is a free newsprint punk zine started in State College, Pennsylvania by Christine Boarts in 1987. In 1989 CBL and S&L relocated to New York City where the zine's print run steadily grew and increased to 10,000 with free worldwide distribution. In 1997, CBL and S&L relocated to Richmond, Virginia. [1]
British punk fanzines from the 1970s. A punk zine (or punkzine) is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.
Maximumrocknroll, often written as Maximum Rocknroll and usually abbreviated as MRR, is a not-for-profit monthly online zine of punk subculture and radio show of punk music. Based in San Francisco, MRR focuses on punk rock and hardcore music, and primarily features artist interviews and music reviews. Op/ed columns and news roundups are regular ...
Sniffin' Glue and Other Rock 'N' Roll Habits..., widely known as simply Sniffin' Glue, was a monthly punk zine started by Mark Perry in July 1976 and released for about a year. The name is derived from a Ramones song "Now I Wanna Sniff Some Glue." [1] Some of the zine's writers, such as Danny Baker, later became well-known journalists.
Spuno was a punk fanzine, bizarrely subtitled Dressing Gown News after a song by local band Identity Crisis, [1] based in Bath, UK. Edited and produced by Mark Price (AKA Eric Normal) & Marcus Pennington, it ran to 3 issues in 1980. [2] The Spuno logo was the music magazine Sounds logo upside down.
Slash was a punk rock-related fanzine published by Steve Samiof and Melanie Nissen in the United States from 1977 to 1980. The magazine was a large-format tabloid focused on the Los Angeles punk scene. [1] The fanzine also gave birth to Slash Records, an important punk record label.
Flipside, known as Los Angeles Flipside Fanzine, was a punk zine published in Whittier and Pasadena, California, from 1977 to 2002.The magazine was associated with its own record label, Flipside Records, releasing vinyl records and compact discs beginning in 1978.
Damage covered the punk scene in Northern and Southern California, as well as international developments. [2] OP magazine called it "one of the best new wave publications". [ 3 ] Reporting on the local scene in the San Francisco Examiner , Bill Mandel said that Damage was "the punk Bible" [for the Bay Area, presumably]. [ 4 ]