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  2. Category:Documentary film posters - Wikipedia

    en.wikipedia.org/wiki/Category:Documentary_film...

    C. File:Candyman documentary film poster.jpg; File:Film Poster for Carl Panzram The Spirit of Hatred and Vengeance.jpg; File:Carl Th Dreyer My Metier.jpg

  3. Category : Netflix documentary television series posters

    en.wikipedia.org/wiki/Category:Netflix...

    File:The G Word poster.jpg; File:The Goop Lab Poster.jpg; File:The Keepers (Netflix series).jpg; File:The Most Hated Man on the Internet poster.jpg; File:The Pharmacist (Netflix).jpg; File:The Staircase.png; File:The Toys That Made Us Netflix television series logo.png; File:The Trials of Gabriel Fernandez (2020) Film Poster.jpg

  4. Film poster - Wikipedia

    en.wikipedia.org/wiki/Film_poster

    The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.

  5. Richard Amsel - Wikipedia

    en.wikipedia.org/wiki/Richard_Amsel

    The Sting, 1973 [1]. Richard Amsel was born in Philadelphia.Shortly after graduating from Philadelphia College of Art, his proposed poster art for the Barbra Streisand musical Hello, Dolly! was selected by 20th Century Fox for the film’s campaign after a nationwide artists’ talent search; the artist was 22 at the time.

  6. Urbanized - Wikipedia

    en.wikipedia.org/wiki/Urbanized

    Urbanized is a documentary film directed by Gary Hustwit and released on 26 October 2011. [1] It is considered the third of a three-part series on design known as the Design Trilogy; the first being Helvetica, about the typeface, and the second being Objectified, about industrial design.

  7. Drew: The Man Behind the Poster - Wikipedia

    en.wikipedia.org/.../Drew:_The_Man_Behind_the_Poster

    This leads the documentary in a direction about how film studios are interested more in profit rather than quality, how film posters are more often photographs of the actors rather than paintings of them. The documentary concludes with footage of Struzan at San Diego Comic-Con in 2010, wherein he receives the Inkpot Award for his illustrations. [3]

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