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His design for the new city's central palace, Viceroy's House, now the Presidential residence Rashtrapati Bhavan, was a thorough integration of elements of Indian architecture into a building of classical forms and proportions, [17] and made use of the order throughout. [16]
This strong order was considered most appropriate in military architecture and in docks and warehouses when they were dignified by architectural treatment. Serlio found it "suitable to fortified places, such as city gates, fortresses, castles, treasuries, or where artillery and ammunition are kept, prisons, seaports and other similar structures ...
A few examples of Corinthian columns in Greece during the next century are all used inside temples. A more famous example, and the first documented use of the Corinthian order on the exterior of a structure, is the circular Choragic Monument of Lysicrates in Athens, erected c. 334 BC.
Ionic order exemplified in architecture of Buffalo, New York; Ionic order, after Vitruvius Archived from the original on August 26, 2005 "Understanding buildings" website: Ionic order; Denis Andrey and Mirko Galli, "Geometric methods of the 1500s for laying out the ionic volute" Early Development and Formal Definition of the Ionic Capital
The Doric order of the Parthenon. Triglyphs marked "a", metopes "b", guttae "c" and mutules under the soffit "d". The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian.
The most famous ancient example of such an order is the Colosseum at Rome, which had no less than four storeys of superposed orders. [3] The superposition rules were developed in ancient Greece and were also actively used in the architecture of ancient Rome. Later, the order was used in the architecture of the Renaissance and Baroque.
The giant order was rare in antiquity. Vitruvius' depiction of the lost Basilica of Fanum contains columns spanning two stories. [2] Roman architectural historian Mark Wilson Jones also cites the columns at the Basilica of Pompeii, the Baths of Diocletian, and the Temple of Baachus at Baalbek as early examples of the giant order. [3]
By placing restrictions on the observer's movements, and architect can evoke a variety of emotions. For example, in Gothic architecture, elongated nave suggest a forward movement towards the altar while the compressive effect of tall walls draws the gaze towards vaults and windows above, causing a feeling of release and "uplifting" experience.
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