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The Bad Examples is an indie alternative pop-rock group formed by songwriter, acoustic guitarist, and vocalist Ralph Covert in 1987 in Chicago, Illinois. The band has had significant changes in the line-up over the years but the core of the group (Covert, electric guitarist Tom O'Brien, bassist Tom "Pickles" Piekarski) have worked consistently together since 1990 with electric guitarist Steve ...
Through a connection to producer Ralph Bass, they wrote "Kansas City" specifically for West Coast blues/R&B artist Little Willie Littlefield. [2] There was an initial disagreement between the two writers over the song's melody: Leiber (who wrote the lyrics) preferred a traditional blues song, while Stoller wanted a more distinctive vocal line; Stoller ultimately prevailed.
He had a Billboard #1 record in 1959 with the song "Kansas City". [2] The song was written in 1952 and was one of the first credited collaborations by the team of Jerry Leiber and Mike Stoller. It sold over one million copies, and was awarded a gold disc. [3] Harrison recorded "Kansas City" for the Harlem-based entrepreneur Bobby Robinson, who ...
A signature song is the one song (or, in some cases, one of a few songs) that a popular and well-established recording artist or band is most closely identified with or best known for. This is generally differentiated from a one-hit wonder in that the artist usually has had success with other songs as well.
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This list is of songs that have been interpolated by other songs. Songs that are cover versions, parodies, or use samples of other songs are not "interpolations". The list is organized under the name of the artist whose song is interpolated followed by the title of the song, and then the interpolating artist and their song.
A song with the title was recorded by the "Bennie Moten's Kansas City Orchestra" jazz band on December 13, 1926, in Chicago, Illinois and originally released by Victor Records on Victor 20406, the flip side being "Harmony Blues" by the same band. [2] It is one of the first songs called a "shuffle" using the distinctive triplet-driven beat. [3]
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.