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Confucius heavily promoted the use of music with rituals or the rites order. [51] Unlike other philosophers around the world, Confucius viewed music and music theory beyond a mere art form or curriculum subject, and stated that it was intrinsically intertwined with rites in structuring man.
The topics covered by the Kongzi Jiayu include Confucius' detailed ancestry, his parents, his birth, episodes and events from his life, and his sayings. [7] His disciples also feature prominently, including one section devoted entirely to Yan Hui, Confucius' favourite. [8] In all, 76 disciples are mentioned by name. [2]
Confucius (孔夫子; Kǒng Fū Zǐ, lit. " Master Kong, " but most frequently referred to as Kongzi (孔子), traditionally 551 – 479 BCE) was a famous Chinese thinker and social philosopher, whose teachings have deeply influenced East Asian life and thought.
The Analects, also known as the Sayings of Confucius, is an ancient Chinese philosophical text composed of sayings and ideas attributed to Confucius and his contemporaries, traditionally believed to have been compiled by his followers.
A historical record of the State of Lu, Confucius's native state, 722–481 BC attributed to Confucius. The Classic of Music is sometimes considered the sixth classic but was lost. Up to the Western Han, authors would typically list the Classics in the order Poems-Documents-Rituals-Changes-Spring and Autumn.
To Confucius, a correct form of music is important for the cultivation and refinement of the individual, and the Confucian system considers the formal music yayue to be morally uplifting and the symbol of a good ruler and stable government. [23] Some popular forms of music, however, were considered corrupting in the Confucian view. [24]
However, the dominant form of music in the Sui and Tang court was the entertainment music for banquets called yanyue (燕樂), [17] and the term yayue became reserved for the music of Confucian rituals used in temples of the imperial family and the nobility as well as in Confucian temples. [18]
The Classic of Music (Chinese: 樂經) was a Confucian classic text lost by the time of the Han dynasty. It is sometimes referred to as the "Sixth Classic " (for example, by Sima Qian [ 1 ] ) and is thought to have been important in the traditional interpretations of the Classic of Poetry .