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15th-century women musicians (3 C, 2 P) Pages in category "15th-century musicians" The following 4 pages are in this category, out of 4 total.
fl. late 15th – early 16th century: English Presumably identical with the Sturton who composed the six-part Ave Maria ancilla Trinitatis in the Lambeth Choirbook, he contributed a Gaude virgo mater Christi to the Eton Choirbook, the six voices of which cover a fifteen-note range Robert de Févin: fl. late 15th–early 16th century: French
15th-century Irish musicians (3 P) 15th-century Italian musicians (1 C, 2 P) W. 15th-century Welsh musicians (3 P) This page was last edited on 1 November 2021, at 13
It is indicated by literally coloring the note-heads in the written music differently than their normal appearance. In the 14th and early 15th century, colored notes were typically marked in red while normal notes were black; in the 16th century, the same effect was achieved by filling the note-heads in black while normal notes were hollow.
15th-century English composers (22 P) Pages in category "15th-century English musicians" The following 7 pages are in this category, out of 7 total.
15th-century musicians (4 C, 4 P) R. Renaissance music (9 C, 156 P) S. 15th-century songs (1 C, 12 P) Pages in category "15th century in music" The following 10 pages ...
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Of all the names associated with the Burgundian School, the most famous was Guillaume Dufay, who was probably the most famous composer in Europe in the 15th century. He wrote music in many of the forms which were current, music which was melodic, singable and memorable (more than half of his sacred music consists of simple harmonizations of ...