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Op. 79 Andante and Finale, for piano and orchestra (1893; this was Sergei Taneyev's idea of what Tchaikovsky might have written had he used three of the movements of the abandoned Symphony in E ♭, rather than just the first movement Allegro brillante, when rescoring the symphony as the Piano Concerto No. 3 in E ♭)
The Piano Concerto No. 1 in B ♭ minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. [1] It was revised in 1879 and in 1888. It was first performed on October 25, 1875, in Boston by Hans von Bülow after Tchaikovsky's desired pianist, Nikolai Rubinstein, criticised the piece.
Except for a piano sonata written while he was a composition student and a second much later in his career, Tchaikovsky's solo piano works consist of character pieces. [67] While his best known set of these works is The Seasons, [68] the compositions in his last set, the Eighteen Pieces, Op. 72, are extremely varied and at times surprising. [69]
The Seasons, Op. 37a [1] (also seen as Op. 37b; Russian: Времена года; published with the French title Les Saisons), is a suite of twelve short character pieces for solo piano by the Russian composer Pyotr Ilyich Tchaikovsky. Each piece is the characteristic of a different month of the year in Russia.
Tchaikovsky scholar David Brown notes that the middle section of the quasi Rondo of the Fantasia, written for piano solo, "was the logical goal toward which this precedent had pointed". [6] This gives the section the appearance of a cadenza while actually being based on new material. [2]
Pyotr Ilyich Tchaikovsky's Piano Concerto No. 2 in G major, Op. 44, was written in 1879–1880 and dedicated to Nikolai Rubinstein, who had insisted he perform it at the premiere as a way of making up for his harsh criticism of Tchaikovsky's First Piano Concerto. But Rubinstein never played it, as he died in March 1881, and the work has never ...
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