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The Doge's Palace was recreated and is playable in the 2009 video game, Assassin's Creed II. In the game, one of the objectives is to get protagonist Ezio Auditore da Firenze to fly a hang-glider built for him by Leonardo da Vinci into the Palazzo Ducale in order to prevent a Templar plot to kill the current Doge, Giovanni Mocenigo .
The facade of the Doge's Palace overlooking St. Mark's Basin, in a mid-19th century photo by Carlo Ponti. The history of the Doge's palace in Venice begins in medieval times and continues with numerous extensions, renovations and demolitions aimed at adapting the building to the new needs of the city and in particular to the need to give a seat to the governing bodies that, increasing in ...
Piombi ("The Leads" in English [1]) is a former prison in the Doge's Palace in Venice. The name of the prison refers to its position directly under the roof of the palace, which was covered with slabs of lead. In winter, these slabs let the cold pass and they acted as a conductor in the summer heat, imposing harsh conditions for inmates.
Gothic arches adorn the Doge's Palace, Venice.Mostly 14th century. Venetian Gothic is the particular form of Italian Gothic architecture typical of Venice, originating in local building requirements, with some influence from Byzantine architecture, and some from Islamic architecture, reflecting Venice's trading network.
The view from the Bridge of Sighs was the last view of Venice that convicts saw before their imprisonment. The bridge's English name was bestowed by Lord Byron in the 19th century as a translation from the Italian "Ponte dei sospiri", [2] [3] from the suggestion that prisoners would sigh at their final view of beautiful Venice through the window before being taken down to their cells.
Il Paradiso is a massive (22 x 9 metres) oil painting on canvas that dominates the main hall of the Doge's Palace, which hosted the Great Council of Venice. It is one of the largest paintings on canvas in the world and was painted by Jacopo Robusti, known more commonly as Tintoretto. [1]
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The Bucentaur Returns to the Pier at the Doge's Palace or The Doge of Venice Departs for the Festival of the Betrothal of Venice to the Adriatic Sea is a c.1730 oil on canvas painting by Canaletto. It was acquired together with his Reception of the French Ambassador in Venice in the 1760s for the Hermitage Museum .
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