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Hancox started playing the violin at the age of four. In his late teens he studied with Serguei Fatkouline in Madrid and Bonn, before being accepted into the Royal College of Music. There he also studied with Felix Andrievsky. At the RCM, he won both major violin prizes, before leaving with a first class honours degree. In his postgraduate ...
The play follows two main couples: Beatrice and Benedick (adapted to Bea and Ben in Anyone But You), who use witty banter to deny their romantic interest in one another, and Claudio and Hero (here ...
Anyone but You grossed $88.3 million in the United States and Canada, and $131.7 million in other territories, for a worldwide total of $220 million. [ 2 ] [ 3 ] Deadline Hollywood calculated the net profit of the film to be $103 million, when factoring together all expenses and revenues. [ 29 ]
Baritone clef C major scale, baritone F-clef. Play ⓘ Baritone clef C major scale, baritone C-clef. Play ⓘ When the F-clef is placed on the third line, it is called the baritone clef. Baritone clef was used for the left hand of keyboard music (particularly in France; see Bauyn manuscript) and for baritone parts in vocal music. A C-clef on ...
Of Franz Schubert's two symphonies in the key, the first is nicknamed the "Little C major" and the second the "Great C major". Scott Joplin's "The Entertainer" is written in C major. Many musicians have pointed out that every musical key conjures up specific feelings. [5] This idea is further explored in a radio program called The Signature Series.
Great Mass in C minor, K. 427 (417a) Piano Concerto No. 24, K. 491) Maurerische Trauermusik K. 477 (479a) Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 517; Adagio and Fugue in C minor. K. 546; Wind Serenade in C minor. K. 388 (384a) Fantasy in C minor for violin and piano, K. 396 (385f) Piano Sonata in C minor, K. 457
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The instrument is tuned so that the IV and III strings (G and D on a western-tuned violin) and the II and I (A and E) strings are sa–pa (do–sol) pairs and sound the same but are offset by an octave, resembling common scordatura or fiddle cross-tunings such as G3–D4–G4–D5 or A3–E4–A4–E5.