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The Wanderer is an Old English poem preserved only in an anthology known as the Exeter Book.It comprises 115 lines of alliterative verse.As is often the case with Anglo-Saxon verse, the composer and compiler are anonymous, and within the manuscript the poem is untitled.
Prominent ubi sunt Anglo-Saxon poems are The Wanderer, Deor, The Ruin, and The Seafarer. These poems are all a part of a collection known as the Exeter Book, the largest surviving collection of Old English literature. [4] The Wanderer most clearly exemplifies ubi sunt poetry in its use of the erotema (the rhetorical question): Hwær cwom mearg?
Old English literature refers to poetry (alliterative verse) and prose written in Old English in early medieval England, from the 7th century to the decades after the Norman Conquest of 1066, a period often termed Anglo-Saxon England. [1]
The poems give a sense of the intellectual sophistication of Anglo-Saxon literary culture. They include numerous saints’ lives , gnomic verses , and wisdom poems , in addition to almost a hundred riddles , numerous smaller heroic poems , and a quantity of elegiac verse.
Roman pool (with associated modern superstructure) at Bath, England.The pool and Roman ruins may be the subject of the poem. "The Ruin of the Empire", or simply "The Ruin", is an elegy in Old English, written by an unknown author probably in the 8th or 9th century, and published in the 10th century in the Exeter Book, a large collection of poems and riddles. [1]
It has been proposed that this poem demonstrates the fundamental Anglo-Saxon belief that life is shaped by fate. [16] In The Search for Anglo-Saxon Paganism (1975), Eric Stanley pointed out that Henry Sweet 's Sketch of the History of Anglo-Saxon Poetry in W. C. Hazlitt 's edition of Warton's History of English Poetry (1871), expresses a ...
Just as rhyme was seen in some Anglo-Saxon poems (e.g. The Rhyming Poem, and, to some degree, The Proverbs of Alfred), the use of alliterative verse continued (or was revived) in Middle English, though which it was—continuation, or revival—is a matter of some debate.
Christian consolation poems, however, usually attempt to subsume personal miseries in a historical or explicitly metaphysical context (e.g., Boethius's Consolation of Philosophy), and such perspectives are somewhat remote from the tradition of Anglo-Saxon poetry. Medievalist scholars who have viewed the poem within the Anglo-Saxon tradition ...