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A love poem, "The Good-Morrow" is thematically centred on several concepts. The poem is primarily to do with evolving love; the movement from pure lust, in the first stanza, to a nascent and evolving spirituality which liberates the lovers because they no longer "watch each other out of fear" but can instead see clearly. [8]
The final couplet in poem often function as a "punch-line" conclusion, not only summarizing the poem, but also delivering the key thematic idea. [19] One example of Ovid's "argumentative" structure can be found in II.4, where Ovid begins by stating that his weakness is a love for women.
The ghazal [a] is a form of amatory poem or ode, [1] originating in Arabic poetry. [2] Ghazals often deal with topics of spiritual and romantic love and may be understood as a poetic expression of both the pain of loss or separation from the beloved and the beauty of love in spite of that pain. [2] [3]
In a forward to his poems, which many scholars believe was addressed to Southwell's cousin, William Shakespeare, the priest-poet wrote, "Poets by abusing their talent, and making the follies and feignings of love the customary subject of their base endeavors, have so discredited this faculty that a poet, a lover, and a liar, are by many ...
Everyone who loves has been born of God and knows God. Whoever does not love does not know God, because God is love." (1 John 4:7–8) Saint Augustine wrote that one must be able to decipher the difference between love and lust. Lust, according to Saint Augustine, is an overindulgence, but to love and be loved is what he has sought for his ...
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The vernacular poetry of the romans courtois, or courtly romances, included many examples of courtly love. Some of them are set within the cycle of poems celebrating King Arthur 's court. This was a literature of leisure, directed to a largely female audience for the first time in European history.