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Luciano "Chano" Pozo González was born in Havana to Cecelio González and Carnación Pozo. Chano grew up with three sisters and a brother, as well as his older half brother, Félix Chappottín, who would later become one of the great Cuban soneros. The family struggled with poverty throughout his youth. His mother died when Chano was aged 11 ...
Dizzy Gillespie 1955 "Manteca" is one of the earliest foundational tunes of Afro-Cuban jazz.Co-written by Dizzy Gillespie, Chano Pozo and Gil Fuller in 1947, it is among the most famous of Gillespie's recordings (along with the earlier "A Night in Tunisia") and is "one of the most important records ever made in the United States", according to Gary Giddins of The Village Voice. [1] "
Mario Bauzá introduced bebop innovator Dizzy Gillespie to the Cuban conga drummer, dancer, composer, and choreographer Chano Pozo. The brief collaboration of Gillespie and Pozo produced some of the most enduring Afro-Cuban jazz standards. "Manteca" (1947), co-written by Gillespie and Pozo, is the first jazz standard to be rhythmically based on ...
Chano y Dizzy! is a collaborative studio album by conga player Poncho Sanchez and jazz trumpeter Terence Blanchard. The release contains 11 tracks inspired by the works of Dizzy Gillespie and Chano Pozo whose short-lived musical collaboration began in the late 1940s and ended after Pozo's murder in 1948. [ 3 ]
Cándido Camero Guerra was born in the barrio known as El Cerro, in Havana, to Caridad Guerra and Cándido Camero. [1] [2] [3] His interest in music began at the age of 4, when his maternal uncle Andrés, a professional bongosero for the Septeto Segundo Nacional, taught him to play bongos on condensed milk cans.
One of his musical influences was Chano Pozo. ... Brown died from heart disease in Los Angeles, California, on December 28, 1984. He was 52. [3] Discography
John Birks "Dizzy" Gillespie (/ ɡ ɪ ˈ l ɛ s p i / gil-ESP-ee; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. [2] He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge [3] but adding layers of harmonic and rhythmic complexity previously unheard in jazz.
He died four days later on April 19, 1984, at University College Hospital in London. [26] His son Mario carried forward the legacy by leading The Machito Orchestra after his father's death. [26] His daughter Paula, though dedicating her life to scholarly studies, has occasionally fronted the group as its singer. [26] [29] Mario Bauzá died in 1993.