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Danse de la chèvre (French for Dance of the Goat) is a piece for solo flute by Arthur Honegger, written in 1921 as incidental music for dancer Lysana of Sacha Derek's play La mauvaise pensée. At the start of the piece, there is a slow dreamlike introduction consisting of tritone phrases.
1921 : H 39 Danse de la chèvre (The Goat Dance) 1929 : H 43 Three Counterpoints for flute, oboe, violin and cello 1929 : H 43a Suite for 2 pianos, adaption of Three Counterpoints, H 43 1925 : H 56 Prelude and Blues for 4 harps, lost 1925 : H 59 Hommage du trombone exprimant la tristesse de l'auteur absent for trombone and piano
Partita in A minor for solo flute (c. 1718) Luciano Berio: Sequenza I (1958) Ludwig van Beethoven. Allegro and Minuet for two flutes (1792) [1] Claude Debussy: Syrinx (1913) Arthur Honegger: Danse de la chèvre (1921) Robert Muczynski: Three Preludes, Op. 18 (1962) Karlheinz Stockhausen: Amour (1981) Harmonien (2006) Tōru Takemitsu. Voice (1971)
Arthur Honegger in 1928. Arthur Honegger (French: [aʁtyʁ ɔnɛɡɛʁ]; 10 March 1892 – 27 November 1955) was a Swiss composer who was born in France and lived a large part of his life in Paris. [1] Honegger was a member of Les Six. For Halbreich, Jeanne d'Arc au bûcher is "more even than Le Roi David or Pacific 231, his most universally ...
Pages in category "Compositions by Arthur Honegger" The following 12 pages are in this category, out of 12 total. ... Danse de la chèvre ... Les mariés de la tour ...
Concerto da camera (H 196) is a concerto in three movements for the unusual combination of flute, English horn, and string orchestra written by Arthur Honegger late in his career in 1948. While Honegger was on tour in the United States , the American art patron Elizabeth Sprague Coolidge commissioned him in July 1947 to write a piece, either a ...
The piece is the first in Honegger's series of three symphonic movements. The other two are Rugby and Mouvement Symphonique No. 3. Honegger lamented that his "poor Symphonic Movement No. 3 paid dearly for its barren title". [2] Critics generally ignored it, while Pacific 231 and Rugby, with more evocative titles, have been written about in depth.
6 harp sonatas, Op. 8 (c. 1780), nos. 1–5 with violin or flute; Collection de pièces de différens genres distribuées en 6 sonates with piano, Opp. 13–14 (c.1788) 4 Sonates en forme de scènes de différens caractères with piano, Op. 15 (c.1788) 3 Sonates … dont la 1er en forme de scène with violin, Op. 17 (c.1789)