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Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful.
Other four-character idioms are derived from Buddhist literature and scriptures, old Japanese customs and proverbs, and historical and contemporary Japanese life and social experience. The entries in the published dictionaries of yojijukugo are typically limited to these idiomatic compounds of various origins.
Japanese commonly use proverbs, often citing just the first part of common phrases for brevity. For example, one might say i no naka no kawazu (井の中の蛙, 'a frog in a well') to refer to the proverb i no naka no kawazu, taikai o shirazu (井の中の蛙、大海を知らず, 'a frog in a well cannot conceive of the ocean').
Japanese political phrases (3 P) R. Japanese religious terminology (3 C, 13 P) S. Japanese sex terms (3 C, 42 P) W. Wasei-eigo (27 P) Japanese writing system terms (2 ...
Bijin-ga (美 (び) 人 (じん) 画 (が), "beautiful person picture") is a generic term for pictures of beautiful women in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition
Gackt, a Japanese singer-songwriter, is considered to be one of the living manifestations of the Bishōnen phenomenon. [1] [2]Bishōnen (美少年, IPA: [bʲiɕo̞ꜜːnẽ̞ɴ] ⓘ; also transliterated bishounen) is a Japanese term literally meaning "beautiful youth (boy)" and describes an aesthetic that can be found in disparate areas in East Asia: a young man of androgynous beauty.
They are adapted from the concepts authored by Dr. Yanagi Sōetsu (1898–1961), aesthetician and museum curator, published in the Japanese magazine Kōgei between 1930 and 1940. The aristocratic simplicity of shibusa is the refined expression of the essence of elements in an aesthetic experience producing quietude. Spare elegance is evident in ...