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A Madea Christmas (musical play) Madea Gets a Job; Madea Goes to Jail (play) Madea's Big Happy Family; Madea's Class Reunion; Madea's Family Reunion (play) Marilyn and Ella; The Marriage Counselor; Meet the Browns (play) The Mighty Gents; The Mountaintop; A Movie Star Has To Star in Black and White
This collection explores an array of themes connected to Black American life. Many of the included works contain elements of social criticism and messages of anti-racism. All but one were written in the early 1970s a "a socially and politically dynamic moment in the nation's history and a renaissance decade for black theater."
Shaffer wrote White Lies to precede the 1967 Broadway production of his farce Black Comedy, presented by Alexander H. Cohen at the Ethel Barrymore Theatre. [2] But Shaffer was dissatisfied with the piece. As he put it in his Preface to his 1982 Collected Plays, "The dramatic pulse was too low, and the work came out a little mechanically." [3]
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The play is still anthologized and performed around the world. The autobiography adapted from the play was also critically acclaimed. [3] In 1972, Michael Schultz directed a made-for-TV movie, also titled To Be Young, Gifted and Black, based on the stage play. It featured Roy Scheider, Blythe Danner, and Ruby Dee. [4]
It was not until after the American Civil War that all-Black theatre companies began to emerge again. [3] The African Theatre presented a programme of classical plays, popular plays, ballet, music and opera. [5] The theater produced Shakespearean works, as well as plays written by Brown. [6] Brown also wrote a number of original plays for them ...
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When W. E. B. Du Bois saw a production of the Negro Players performing Ridgely Torrence's Three Plays for a Negro Theater in 1917, it influenced him to write, "The present spiritual production in the souls of Black folk is going to give American stage a drama that will lift it above silly songs and leg shows."