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The former House and School of Industry at 120 West 16th Street in New York City Simon C. Sherwood House (1884), Southport, Connecticut. The British 19th-century Queen Anne style that had been formulated there by Norman Shaw and other architects arrived in New York City with the new housing for the New York House and School of Industry [3] at 120 West 16th Street (designed by Sidney V ...
In architecture the Eastlake style or Eastlake architecture is part of the Queen Anne style of Victorian architecture. Eastlake's book Hints on Household Taste in Furniture, Upholstery, and Other Details posited that furniture and decor in people's homes should be made by hand or machine workers who took personal pride in their work.
George Devey (1820–1886) and the better-known Norman Shaw (1831–1912) popularized the Queen Anne style of British architecture of the industrial age in the 1870s. Norman Shaw published a book of architectural sketches as early as 1858, and his evocative pen-and-ink drawings began to appear in trade journals and artistic magazines in the 1870s.
At the end of the 19th century and early into the 20th, a popular home style in the United States was the Queen Anne. The Queen Anne was clearly a transitional style, creating a bridge between the ...
[4] [7] "The name 'Queen Anne' was first applied to the style more than a century after it was fashionable." [5] The use of Queen Anne styles in America, beginning in the 1720s and 1730s, coincided with new colonial prosperity and increased immigration of skilled British craftsmen to the colonies. [8] [9] [10] Some elements of the Queen Anne ...
On December 24, 1901, a chimney fire greatly damaged the house and the interior was renovated in 1902 by Stickley, who was by then a leading figure of the American Craftsman movement. [4] After the death of his wife, Gustav lived with his daughter Barbara Stickley Wiles & her family at this house from 1919 to his death there in 1942.
The Stick style was a late-19th-century American architectural style, transitional between the Carpenter Gothic style of the mid-19th century, and the Queen Anne style that it had evolved into by the 1890s. [1] It is named after its use of linear "stickwork" (overlay board strips) on the outside walls to mimic an exposed half-timbered frame. [2 ...
Second Empire was succeeded by the revival of the Queen Anne Style and its sub-styles, which enjoyed great popularity until the beginning of the "Revival Era" in American architecture just before the end of the 19th century, popularized by the architecture at the World's Columbian Exposition in Chicago in 1893.