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Henri Matisse. Henri Émile Benoît Matisse (French: [ɑ̃ʁi emil bənwa matis]; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter.
The Green Stripe (also known as The Green Line or Madame Matisse) is an oil painting from 1905 by French artist Henri Matisse of his wife, Amélie Noellie Matisse-Parayre. The title stems from the vertical green stripe down the middle of Madame Matisse's face, an artistic decision consistent with the techniques and values of Fauvism.
This is an incomplete list of works by the French modern artist Henri Matisse (31 December 1869 – 3 November 1954). He is admired for his use of color and his fluid, brilliant and original draughtsmanship. He was a Master draughtsman, printmaker, and sculptor, but is known primarily as a painter.
Luxe, Calme et Volupté (French pronunciation: [lyks kalm e vɔlypte]) is a 1904 oil painting by the French artist Henri Matisse. Both foundational in the oeuvre of Matisse and a pivotal work in the history of art, Luxe, Calme et Volupté is considered the starting point of Fauvism. [1] This painting is a dynamic and vibrant work created early ...
Dance. (Matisse) Dance (La Danse) is a painting made by Henri Matisse in 1910, at the request of Russian businessman and art collector Sergei Shchukin, who bequeathed the large decorative panel to the Hermitage Museum, in Saint Petersburg. The composition of dancing figures is commonly recognized as "a key point of (Matisse's) career and in the ...
Henri Matisse, the French artist known for his use of vibrant colors, painted “Dame à la robe blanche (Woman in White)” in 1946, depicting Matisse’s neighbor, the journalist Elvire Van ...
Le bonheur de vivre (The Joy of Life) is a painting by Henri Matisse. Along with Picasso 's Les Demoiselles d'Avignon, Le bonheur de vivre is regarded as one of the pillars of early modernism. [1] The monumental canvas was first exhibited at the Salon des Indépendants of 1906, where its cadmium colors and spatial distortions caused a public ...
Similarly, the technique of layering color to establish depth or perspective—without formal use of line—serves as a crux for most of color field painting. This painting was the subject of an exhibition at the Museum of Modern Art in New York (1 May–10 September 2022) and the National Gallery of Denmark in Copenhagen (13 October 2022–26 ...
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