Search results
Results from the WOW.Com Content Network
Sixteen-bar blues. The sixteen-bar blues can be a variation on the standard twelve-bar blues or on the less common eight-bar blues. Sixteen-bar blues is also used commonly in ragtime music. [1]
"Hoochie Coochie Man" follows a sixteen-bar blues progression, which is an expansion of the well-known twelve-bar blues pattern. [35] The first four bars are doubled in length so the harmony remains on the tonic for eight bars or one-half of the sixteen bar progression. [38]
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
In addition to the lyrical theme, "I'm Ready" incorporates a stop-time sixteen-bar structure analogous to "Hoochie Coochie Man". The song was recorded September 1, 1954, by Waters on vocal and guitar, accompanied by Little Walter on chromatic harmonica, Jimmy Rogers on guitar, Otis Spann on piano, Willie Dixon on bass, and Fred Below on drums.
Willie Dixon. Producer (s) Ralph Bass. " You Can't Judge a Book by the Cover " (alternatively " You Can't Judge a Book by Its Cover ") is a 1962 song by rock and roll pioneer Bo Diddley. Written by Willie Dixon, the song was one of Diddley's last record chart hits. [2] Unlike many of his well-known songs, "You Can't Judge a Book by the Cover ...
1940–1979 blues. Luther Allison. Billy Boy Arnold. Bobby "Blue" Bland. Clarence "Gatemouth" Brown, 1999. Paul Butterfield at Woodstock Reunion, 1979. Eric Clapton, 2006. Eddie Clearwater in Montreux, 1978. Albert Collins at Long Beach Blues Festival, 1990.
Andy Boy – (November 10, 1904 – unknown) Born in Galveston, Texas, Boy was a pianist and songwriter. He was part of the "Santa Fe Group". Doyle Bramhall – (February 17, 1949 – November 12, 2011) Born in Dallas, Texas, Bramhall is strictly a Texas blues musician, a guitarist, drummer and singer who worked with Stevie Ray Vaughan and his ...
The C strain also represents the only known time when Joplin departs from the standard sixteen-bar form, being instead 24 bars in length [5] [12] with an uneven 14- and 10-bar division. Its first 12 measures parallel the 12-bar blues form and the next two measures extend the subdominant as a transition into the last ten bars. [13]