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Muhammad Iqbal (1877 – 1938) was a prolific writer who authored many works covering various fields and genres such as poetry, philosophy and mysticism.His philosophical writings and poetical works had a notable impression on the religio-cultural and social revival of the East particularly subcontinent Muslim. [1]
18. “Pride costs us more than hunger, thirst, and cold.” 19. “I like the dreams of the future better than the history of the past.” 20. “When we see ourselves in a situation which must ...
Sarfaroshi Ki Tamanna is an Urdu patriotic poem written by Bismil Azimabadi as a dedication to young freedom fighters of the Indian independence movement. [1] This poem was popularized by Ram Prasad Bismil. When Ram Prasad Bismil was put on the gallows, the opening lines of this ghazal were on his lips. [2]
“You can have peace. Or you can have freedom. Don’t ever count on having both at once.” — Robert Heinlein “If freedom of speech is taken away, then dumb and silent we may be led, like ...
The Allahabad Address (Urdu: خطبہ الہ آباد) was a speech by scholar, Sir Muhammad Iqbal, one of the best-known in Pakistani history. It was delivered by Iqbal during the 21st annual session of the All-India Muslim League, on the afternoon of Monday, 29 December 1930, at Allahabad in United Provinces (U. P.).
Aab-e hayat (Urdu: آبِ حیات, lit. water of life) is a commentary (or tazkira) on Urdu poetry written by Muhammad Husain Azad in 1880. [1] The book was described as "canon-forming" and "the most often reprinted, and most widely read, Urdu book of the past century." [1] [2] The book is regarded as the first chronological history of Urdu ...
These inspiring quotes from U.S. presidents will help you reflect on our history this Presidents Day. ... and no finer purpose than the preservation of freedom." — Ronald Reagan "The life of a ...
Subh-e-Azadi (lit.'Dawn of Independence' or 'Morning of freedom' [4]), also spelled Subh-e-Aazadi or written as Subh e Azadi, is an Urdu language poem by a Pakistani poet, Faiz Ahmed Faiz written in 1947. [5] [6] The poem is often noted for its prose style, marxist perspectives, disappointment, anguish, and critic atmosphere.