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Naropa and Aryadeva considered the Compendium of Reality to be a root tantra in relation to the Guhyasamaja Tantra. The Guhyasamaja Tantra survives in Sanskrit manuscripts and in Tibetan and Chinese translation. The Guhyasiddhi of Padmavajra, a work associated with the Guhyasamaja tradition, prescribes acting as a Saiva guru and initiating ...
The Guhyagarbha Tantra (Skt.; Tib. རྒྱུད་གསང་བ་སྙིང་པོ་, Gyü Sangwé Nyingpo; Wyl.rgyud gsang ba'i snying po, "The Tantra of the Secret Essence" or the "Secret Womb Tantra") is the most important Buddhist tantra of the Mahayoga class and the primary tantric text studied in the Nyingma tradition. [1]
The Vajraśekhara Sūtra is an important Buddhist tantra used in the Vajrayāna schools of Buddhism, but can refer to a number of different works. In particular a cycle of 18 texts studied by Amoghavajra, which included both Tattvasaṃgraha Tantra, and the Guhyasamaja Tantra, a Tibetan text which appears to be composed of two works grouped together and to further confuse matters in the ...
Different tantric cycles, like Guhyasamaja and Chakrasamvara, each contain Mahakala as an emanation of their central Buddha deity. [12] Mahākāla is almost always depicted with a crown of five skulls, which represent the transmutation of the five kleśās (negative afflictions) into the five wisdoms. He also wears a garland consisting of fifty ...
Bhagyavantha (Kannada: ಭಾಗ್ಯವಂತ) is a 1981 Indian Kannada-language drama film directed and written by B. S. Ranga. The film featured Master Lohit, Aarathi and Jai Jagadish in pivotal roles. Veteran actor Rajkumar and Thoogudeepa Srinivas made brief appearances in the film.
Kāmikā-tantra, for example, gives the following explanation of the term tantra: Because it elaborates ( tan ) copious and profound matters, especially relating to the principles of reality ( tattva ) and sacred mantras, and because it provides liberation ( tra ), it is called a tantra .
The Ahirbudhnya recognizes one of the eleven Rudras; that is Shiva himself in his Satvik form, in the form of a teacher. In the Veda ahi budhna (serpent of the bottom) is an atmospheric god who Schrader says merged with Rudra-Siva (Pashupati) ; with Ahi Budhanya in later vedic texts connected to Agni Grahapatya, suggesting this was a benevolent ...
However, some later tantric commentators to the Hevajra tantra (like Abhayakaragupta) do indeed map these Hevajra deities to the five families. This shows that the five family schema remained an important one even in the later period of Buddhist tantra as the Yoginitantras were moving away from the standard schemas of the Yoga tantras .