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"Maps and Legends" Fables of the Reconstruction: Bill Berry, Peter Buck, Mike Mills, Michael Stipe: Joe Boyd: 1985 "Me in Honey" Out of Time: Bill Berry, Peter Buck, Mike Mills, Michael Stipe: Scott Litt and R.E.M. 1991 "Me, Marlon Brando, Marlon Brando and I" Collapse into Now: Peter Buck, Mike Mills, Michael Stipe: Jacknife Lee and R.E.M ...
"The One I Love" is a song by American alternative rock band R.E.M. It was released on the band's fifth full-length studio album, Document , and also as a 7" vinyl single in 1987. The song was their first hit single, reaching No. 9 on the US Billboard Hot 100 , No. 14 in Canada, and later reached No. 16 on the UK Singles Chart in its 1991 re ...
The song's lyrics reference artist Man Ray and include imagery relating to lucid dreaming. [8] [12] The dreary tone of the song is augmented by the use of a string trio; in a review for Rolling Stone, Parke Puterbaugh described the song's cello part as "seem[ing] to drag down and halt time" and adding to its "unnerving" and "dirgelike" feel. [4]
Songs in the Key of X:Music from and Inspired by The X-Files "Revolution" [143] 1997 Batman & Robin soundtrack "Leave" (alternate version) [144] A Life Less Ordinary Soundtrack "Draggin' the Line" [145] 1999 Austin Powers: The Spy Who Shagged Me soundtrack "The Great Beyond" Man on the Moon soundtrack "All the Right Friends" 2001 Music from ...
The music video shows Chessie System trains running around Clifton Forge, Virginia. [citation needed] Guitarist Peter Buck admitted in the liner notes for the band's 2003 compilation album In Time: The Best of R.E.M. 1988–2003 that the verse chords for the song "Imitation of Life" were unintentionally taken from the verse chords of "Driver 8."
[1] [3] [4] Despite the grim themes, according to R.E.M. biographer David Buckley, the lyrics are "words of optimism, partnership and community, set against an age of individualism." [3] R.E.M. guitarist Peter Buck said of the song that it "is a metaphor for America and its lost promises. This is where the Indians were and now look at it.
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Also, when the song was played live, Stipe improvised his own set of lyrics halfway through the song. [20] In a 1988 NME interview, Stipe denied the interviewer's claim that his lyrics on Murmur were "indecipherable", but acknowledged that "Radio Free Europe" was one of the few exceptions, describing it as "complete babbling". [21]