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Also one-shot cinema, one-take film, single-take film, continuous-shot film, or oner. A feature-length motion picture filmed in one long, uninterrupted take by a single camera, or edited in such a way as to give the impression that it was. opening credits (for a film) opening shot (for a scene) over cranking over the shoulder shot (OTS)
A PA-302 General Precision Laboratories (GPL) kinescope (c.1950–1955). Its movie film camera, bolted to the top of the cabinet, used Kodak optics.. Kinescope / ˈ k ɪ n ɪ s k oʊ p /, shortened to kine / ˈ k ɪ n iː /, also known as telerecording in Britain, is a recording of a television program on motion picture film directly through a lens focused on the screen of a video monitor.
General purpose instant color or black and white film. As with Fujifilm's Instax film, various frame styles are available. Netherlands: 107x 88mm Polaroid: 600 film: 2015-N/A: 640: Instant: Print: General purpose instant color or black and white film. Various frame styles. Netherlands: 107x 88mm Polaroid: SX-70 film: 2013-N/A: 160: Instant: Print
Columbia Pictures (American Film Technologies) [194] Destry Rides Again: 1939: 1996: Universal Pictures [195] The Devil Bat: 1940: 2008: Legend Films [196] The Devil Commands: 1941: 1991: Columbia Pictures (American Film Technologies) [197] The Devil-Doll: 1936: 1992: Turner Entertainment [198] Devil's Doorway: 1950: 1992: Turner Entertainment ...
The earliest films were in black and white, under a minute long, without recorded sound, and consisted of a single shot from a steady camera. The first decade saw film move from a novelty, to an established mass entertainment industry, with film production companies and studios established throughout the world. Conventions toward a general ...
The use of black-and-white cinematography dates back to the early days of cinema when color film was not yet available. Filmmakers relied on this technique to create visually striking and atmospheric films. Even with the advent of color film technology, black-and-white cinematography continued to be utilized for artistic and thematic purposes.
This variation of the three-strip process was designed primarily for cartoon work: the camera would contain one strip of black-and-white negative film, and each animation cel would be photographed three times, on three sequential frames, behind alternating red, green, and blue filters (the so-called "Technicolor Color Wheel", then an option of ...
The camera was a retired Technicolor three-strip camera modified to use two films and used normal lenses for the conventional 1.85:1 aspect ratio. [citation needed] First developed in 1932, Technicolor three-strip cameras ran three rolls of black-and-white film past a beam splitter and a prism to film three strips of film, one for each primary ...