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Psalm 91 is the 91st psalm of the Book of Psalms, beginning in English in the King James Version: "He that dwelleth in the secret place of the most High shall abide under the shadow of the Almighty." In Latin, it is known as ' Qui habitat ". [ 2 ]
Denn er hat seinen Engeln befohlen (For He shall give His angels charge), [1] MWV B 53, [2] is the incipit of a motet for an eight-part choir a cappella by Felix Mendelssohn.He wrote it in 1844 for the Berlin Cathedral, setting verses 11 and 12 from Psalm 91.
Some resources for more complete information on the scrolls are the book by Emanuel Tov, "Revised Lists of the Texts from the Judaean Desert" [3] for a complete list of all of the Dead Sea Scroll texts, as well as the online webpages for the Shrine of the Book [4] and the Leon Levy Collection, [5] both of which present photographs and images of the scrolls and fragments themselves for closer ...
Other such duplicated portions of psalms are Psalm 108:2–6 = Psalm 57:8–12; Psalm 108:7–14 = Psalm 60:7–14; Psalm 71:1–3 = Psalm 31:2–4. This loss of the original form of some of the psalms is considered by the Catholic Church's Pontifical Biblical Commission (1 May 1910) to have been due to liturgical practices, neglect by copyists ...
The traditional Hebrew Bible and the Book of Psalms contains 150 psalms, but Psalm 151 is found both in The Great Psalms Scroll and the Septuagint, as both end with this psalm. Scholars have found it fascinating having both the Greek and Hebrew translation of this psalm, helping to understand the different techniques of the different translators.
An exception is King James Version of 1611, where the translation follows the Hebrew: "the destruction that wasteth at noonday" (Psalm 91:6) [3]. The Orthodox Study Bible confirms the understanding of Saint Jerome and translates Psalm 91:6 as "Nor by a thing moving in darkness, Nor by mishap and a demon of noonday."
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The oratorio depicts events in the life of the prophet Elijah. Mendelssohn uses biblical episodes relating to Elijah, which in the original, 1 Kings 17:19 and 2 Kings 2:1, are narrated in rather laconic form, to produce intensely dramatic scenes, while adding several related biblical texts, mostly taken from the Old Testament.