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Elves were directly dangerous, too: the medical condition "elf-shot", described in the spell Gif hors ofscoten sie, "if a horse is elf-shot", meaning some kind of internal injury, [12] was associated both with neolithic flint arrowheads and the temptations of the devil. Tolkien takes "elf-shot" as a hint to make his elves skilful in archery. [2]
This was later spelled Quenya (High-elven); it and Sindarin (Grey-elven) are the most complete of Tolkien's constructed languages. Elves are also credited with creating the Tengwar (by Fëanor) and Cirth (Daeron) scripts. [4] Tolkien's Elves are immortal, and remain unwearied with age, but can be killed in battle. Spirits of dead Elves go to ...
This picture of increasing separation is analogous to the progressive decline and fall in Middle-earth from its initial perfection, of which the Sundering of the Elves is a major element. [9] In Tolkien's scheme, the highest Elves are those who deviated least from their initial state (complying with the will of the Valar, travelling to Valinor ...
Tolkien modelled his fictional warfare on the Ancient and Early Medieval periods of history. His depiction of weapons and armour particularly reflect Northern European culture as seen in Beowulf and the Norse sagas. Tolkien established this relationship in The Fall of Gondolin, the first story in his legendarium to be written.
Tom Shippey, like Tolkien a philologist, analyses Tolkien's treatment of the light and dark elves mentioned in the 13th century Prose Edda: in Old Norse, Ljósálfar and Dökkálfar. Tolkien makes the distinguishing feature between these two groups whether the Elves had seen the light of the Two Trees of Valinor, or not.
The Tolkien scholar Tom Shippey comments that "the themes of the Escape from Death, and the Escape from Deathlessness, are vital parts of Tolkien's entire mythology." [8] In a 1968 BBC television broadcast, Tolkien quoted French philosopher Simone de Beauvoir and described the inevitability of death as the "key-spring of The Lord of the Rings ...
According to The Book of Lost Tales, the active male Elves of Gondolin, a city in Beleriand in the First Age, belonged to one of the 11 "Houses" or Thlim, plus the bodyguard of Tuor, a Man, which was accounted the twelfth. Each house had a distinct symbol: a mole, a swallow, the heavens, a pillar, a tower of snow, a tree, a golden flower, a ...
Kings of the Noldor in Valinor High Kings of the Noldor in exile in Middle-earth § These figures do not appear in the published Silmarillion. The family tree as presented follows Tolkien's late note The Shibboleth of Fëanor. ¶ In the published Silmarillion, Orodreth is Finarfin's second son (and still Finduilas' father), and Gil-galad is Fingon's son. The Sons of Fëanor are (in the order ...