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Pages in category "Snakes in art" The following 66 pages are in this category, out of 66 total. ... The Snake Charmer (Rousseau) Snakes (M. C. Escher)
The Spectator attested to the picture's detailed, skilfully crafted and realistic depiction, which, however, meant that "somehow all poetry and every feeling had slipped away in the execution" and emphasized that in general every nude painting "which only realizes the superficial of the body strives, and in a realistic way, must be bad art ...
The nude's left arm reaches towards the lions and a black snake charmer who faces the viewer playing his flute, barely visible in the gloom of the jungle under the dim light of the full moon. A pink-bellied snake slithers through the undergrowth, its sinuous form reflecting the curves of the woman's hips and leg.
The Snake Charmer (French: La Charmeuse de Serpents) is a 1907 oil-on-canvas painting by French Naïve artist Henri Rousseau (1844–1910). It is a depiction of a woman with glowing eyes playing a flute in the moonlight by the edge of a dark jungle with a snake extending toward her from a nearby tree.
Coiled Serpent, unknown Aztec artist, 15th–early 16th century CE, Stone, The Metropolitan Museum of Art, New York, United States [1] The use of serpents in Aztec art ranges greatly from being an inclusion in the iconography of important religious figures such as Quetzalcoatl and Cōātlīcue, [2] to being used as symbols on Aztec ritual objects, [3] and decorative stand-alone representations ...
Among Baldung's treatments of the Fall, the new element in Eve, the Serpent and Death is the active role of the snake; Adam's decrepit condition, halfway between nude and skeleton, suggests the work of poison, as if from the serpent, and the snake's grip on Adam recalls the biting of the apple in the Fall. The apple that each of the figures ...
The Snake Charmer is an oil-on-canvas painting by French artist Jean-Léon Gérôme produced around 1879. [1] After it was used on the cover of Edward Said's book Orientalism in 1978, the work "attained a level of notoriety matched by few Orientalist paintings," [2] as it became a lightning-rod for criticism of Orientalism in general and Orientalist painting in particular, although Said ...
Snake is an artwork by Australian artist Sir Sidney Nolan. Created between 1970 and 1972, it consists of 1,620 panels arranged so that the images on each panel form a larger image of a snake. [ 1 ] It is part of the collection of the Museum of Old and New Art (MONA) in Hobart , Australia.
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