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Max sample depth (bits) Max sample rate (Hz) Applications Notes Ref; Analog Devices: AD1848 1992 Multiple stereo channels, unlimited 16 48,000 Original Windows Sound System card by Microsoft, Ensoniq Soundscape S-2000 and Elite cards Digital-to-analog codec chip, 2-channel stereo input/output [93] ARM Ltd. VIDC20: 1994 8 16 44,100 Risc PC ...
The DVD format uses the 48 kHz sampling rate, and its doublings. In digital audio, 48,000 Hz (also represented as 48 kHz or DVD Quality) is a common sampling rate. It has become the standard for professional audio and video. 48 kHz is evenly divisible by 24, a common frame rate for media, such as film, unlike 44.1 kHz. [i]
Whereas DVD-Video audio formats such as Dolby Digital and DTS can be sent via the player's digital output to a receiver for conversion to analog form and distribution to speakers, DVD-Audio is not allowed to be delivered via unencrypted digital audio link at sample rates higher than 48 kHz (i.e., ordinary DVD-Video quality) due to concerns ...
High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.
This sample rate has become the standard rate for professional audio. [2] Until recently [ when? ] , sample rate conversion between 44,100 Hz and 48,000 Hz was complicated by the high ratio number between the rates of these as the lowest common denominator of 44,100 and 48,000 is 147:160, but with modern [ vague ] technology this conversion is ...
The audio bit rate for a Red Book audio CD is 1,411,200 bits per second (1,411 kbit/s) or 176,400 bytes per second; 2 channels × 44,100 samples per second per channel × 16 bits per sample. Audio data coming in from a CD is contained in sectors, each sector being 2,352 bytes, and with 75 sectors containing 1 second of audio.
multi-track audio recorder and editor GPL-2.0-or-later: Audacity: Dominic Mazzoni Yes Yes Yes Yes wxWidgets multi-track audio recorder and editor GPL-2.0-or-later, CC BY 3.0 (documentation) Ecasound: Yes Yes Yes Yes limited support through Cygwin: command line audio recorder GPL-2.0-or-later: Gnome Wave Cleaner: Jeff Welty Yes No No GTK+ audio ...
Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).