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The literature of Myanmar (Burmese: မြန်မာစာပေ) spans over a millennium.The Burmese language, unlike other Southeast Asian languages (e.g. Thai, Khmer), adopted words primarily from Pāli rather than from Sanskrit.
Chit Oo Nyo was born Kyaw Swar on 30 December 1947 in Mandalay, Myanmar, the oldest of the seven children, to parents U Shwe Daung Nyo and Daw Sein Yin. [2] Called Kyaw Kyaw when young, [1] he grew up with stories told by his grandma, Daw Aye Kyin, a headmistress at a primary school.
Tekkatho Phone Naing (Burmese: တက္ကသိုလ် ဘုန်းနိုင်, 16 January 1930 – 2002) was a famous Burmese writer, primarily known for lovelorn stories that were most popular in the 1950s to 1970s. His "sad" stories still represent some of the best popular Burmese story writing in the postwar era.
Ma Ma Lay wrote nearly 20 books and many articles and short stories in the monthly magazines. Many of her contemporaries and even younger writers describe her as a genius who could make simple everyday matters into readable, interesting books which reflected the lives and concerns of her readers. [2] Her famous works are: Thu Lo Lu (Like Him ...
Hmannan Maha Yazawindawgyi (Burmese: မှန်နန်း မဟာ ရာဇဝင်တော်ကြီး, pronounced [m̥àɰ̃náɰ̃ məhà jàzəwɪ̀ɰ̃dɔ̀dʑí]; commonly, Hmannan Yazawin; known in English as the Glass Palace Chronicle) is the first official chronicle of Konbaung Dynasty of Burma (Myanmar).
Yama Zatdaw (Burmese: ရာမဇာတ်တော်, pronounced [jàma̰ zaʔ tɔ̀]), unofficially Myanmar's national epic, is the Burmese version of the Ramayana and Dasaratha Jataka. There are nine known pieces of the Yama Zatdaw in Myanmar.
Download as PDF; Printable version; ... Children's books set in Myanmar (1 P) Comics set in Myanmar ... Short stories set in Myanmar (1 P) T.
[2] [4] [5] The year 1934 saw the publication of Hkit san pon byin (Experimental Tales) – a collection of short stories to test the readers' reaction, written by Zawgyi, Min Thu Wun and Theippan Maung Wa among others. The writing was distinct and novel in style using shorter sentences and moving away from the traditional literary vocabulary.