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It is also known as videopoetry, video-visual poetry, poetronica, poetry video, media poetry, or Cin(E)-Poetry depending on the length and content of the video work and the techniques employed (e.g. digital technology) in its creation. Video poetry is a wide-ranging category where very different typologies of works converge.
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
Tamerlane and Other Poems, the first published collection of poems by Edgar Allan Poe, originally published anonymously. The Log-Cabin Lady; The Princess Ilsée; The String of Pearls; The Way of a Pilgrim; The Great Organ in the Boston Music Hall; Under the Greenwood Tree by Thomas Hardy, originally published anonymously.
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"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
[13] [14] [15] The work generates short love letters, and is an example of combinatory poetry, also called generative poetry. [16] The original code has been lost, but digital poet and scholar Nick Montfort has reimplemented it based on remaining documentation of its output, and this version can be viewed in a web browser.
The post has been liked more than 700,000 times. Followers commended the poet for putting their feelings of grief, fear and anger into words. "Grateful for your words when words feel impossible ...
Birthday Letters is a 1998 poetry collection by English poet and children's writer Ted Hughes.Released only months before Hughes's death, the collection won multiple prestigious literary awards, including the Whitbread Book of the Year, the Forward Poetry Prize for Best Collection, and the T.S. Eliot Prize for Poetry in 1999. [1]