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Many of the contemporary artists who authored the folk music that was used in American Catholic Liturgy choose F.E.L. to be their publisher, as did Ray Repp, who pioneered contemporary Catholic liturgical music and authored the "First Mass for Young Americans", a suite of folk-style musical pieces designed for the Catholic liturgy. Repp gave an ...
The concept of Mass derived from three sources: Bernstein's experience conducting at Robert F. Kennedy's funeral in 1968 in St. Patrick's Cathedral, Manhattan; the Beethoven bicentenary in Vienna in 1970; and a small piece "A Simple Song" he wrote for Franco Zeffirelli's 1972 film Brother Sun, Sister Moon before withdrawing from that project after three months during which time he worked with ...
The New York Times. —— (January 24, 2014). "When It Comes to Nymphs and Princes, Water and Earth Don't Mix". The New York Times. —— (November 7, 2017). "At the Met Opera, a Note So High, It's Never Been Sung Before". The New York Times. —— (February 14, 2020). "Review: A Tale of Two Women at the New York Philharmonic". The New York ...
The Lutheran Michael Praetorius composed a mass for double choir in the old style, which he published in 1611 in the collection of church music for the mass in Latin, Missodia Sionia. Composers such as Henri Dumont (1610–1684) continued to compose plainsong settings, distinct from and more elaborate than the earlier Gregorian chants.
Dominick Argento (October 27, 1927 – February 20, 2019) [2] was an American composer known for his lyric operatic and choral music.Among his best known pieces are the operas Postcard from Morocco, Miss Havisham's Fire, The Masque of Angels, and The Aspern Papers.
Allan Kozinn (born July 28, 1954) [1] is an American journalist, music critic, and teacher. Kozinn received bachelor's degrees in music and journalism from Syracuse University in 1976. [2] He began freelancing as a critic and music feature writer for The New York Times in 1977, and joined the paper's staff in 1991. [3]
Anthony Carl Tommasini (born April 14, 1948) is an American music critic and author who specializes in classical music. [1] Described as "a discerning critic, whose taste, knowledge and judgment have made him a must-read", [2] Tommasini was the chief classical music critic for The New York Times from 2000 to 2021.
In 1955, he became the chief music critic at the Times, replacing Olin Downes upon Downes' death. Also in the 1950s, Taubman acted as the ghostwriter of Marian Anderson's autobiography My Lord, What a Morning. In 1960, he took the post of chief drama critic for the Times after Brooks Atkinson retired from that position. Taubman remained in that ...
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