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As Dionysus Eleutherius ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. [6] His thyrsus , a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who ...
Lycurgus, driven mad by Dionysus, attacks his wife. Name-piece of the Lycurgus Painter, 350–340 BC. British Museum.. In Greek mythology, Lycurgus (/laɪˈkɜːrɡəs/; Ancient Greek: Λυκοῦργος Lykoûrgos, Ancient Greek: [lykôrɡos]; also Lykurgos, Lykourgos) was the king of the Edoni in Thrace, son of Dryas, the "oak", and father of a son whose name was also Dryas.
The Derveni krater, height: 90.5 cm (35 ½ in.), 4th century BC. The Dionysian Mysteries of mainland Greece and the Roman Empire are thought to have evolved from a more primitive initiatory cult of unknown origin (perhaps Thracian or Phrygian) which had spread throughout the Mediterranean region by the start of the Classical Greek period.
Dionysus has been coined the "masked god," "wine god," and "god of theater" due to his androgynous appearance [5] and ability to hide his true self under facades and enthusiasm. Many Greek stories believe Dionysus to be the son of Zeus, [1] separated and placed in the care of Nysa nymphs in an attempt to protect him from Hera's anger towards ...
It was written shortly before Sophocles's death in 406 BC and produced by his grandson (also called Sophocles) at the Festival of Dionysus in 401 BC. In the timeline of the plays, the events of Oedipus at Colonus occur after Oedipus Rex and before Antigone ; however, it was the last of Sophocles's three Theban plays to be written.
Dionysus's guardians: Centaurs of the Lamus: Hera The sons of some Lamian Naiad nymphs of Cilicia were tasked with guarding the young Dionysus by Zeus, until Hera caught sight of him and punished his guardians by transforming them into some creatures, that in spite of being called Centaurs, are described as man-shaped with ox horns and horse tails.
Offstage, a rampaging mob of followers of Dionysus enact their bloody and crazed rituals, all the while threatening to burst into the house in which the protagonists are debating. Yeats' principal theme is the collapse of the classical worldview and the impending collapse of the Christian. [1]
Labdacus himself survived the war. However, following in the footsteps of Pentheus, King Labdacus opposed the cult of Dionysus, and was killed by Dionysus' enraged devotees, the Maenads. Labdacus left behind a young son, Laius. Lycus again took control of Thebes, this time as a usurper, and denied Laius his birthright. This inaugurated a new ...