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Piano Sonata No. 16 in C major, K. 545 (so-called facile or semplice sonata; Vienna, June 26, 1788) Piano Sonata No. 17 in B ♭ major, K. 570 (Vienna, February, 1789) Piano Sonata No. 18 in D major, K. 576 (Vienna, July 1789)
Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad ...
Nocturnes: Five Stories of Music and Nightfall is a 2009 collection of short fiction by Kazuo Ishiguro. After six novels, it is Ishiguro's first collection of short stories, though it is described by the publisher as a "story cycle". As the subtitle suggests, each of the five stories focuses on music and musicians, and the close of day.
Because his first 26 published works were all written for solo piano, the first ten years of Schumann's career are strongly associated with the instrument; nevertheless, he composed and published work for the piano throughout his entire life, and Schumann's final composition, the Geistervariationen, was a set of variations for solo piano.
Sheet music for the piano sonatas: Scores at the International Music Score Library Project "Music for piano, keyboard and organ". Archived from the original on December 31, 2009. Complete recording of Joseph Haydn's Piano Sonatas on a sampled Walter fortepiano and on a sampled Steinway D
piano 1896: 16: Six Moments Musicaux: piano No. 1 Andantino in B ♭ minor: No. 2 Allegretto in E ♭ minor: No. 3 Andante cantabile in B minor: No. 4 Presto in E minor: No. 5 Adagio sostenuto in D ♭ major: No. 6 Maestoso in C major: 1896: Transcription of Glazunov: Symphony No. 6: piano duet 1899: Morceau de Fantaisie in G minor: piano 1899 ...
During the Classical era, C minor was used infrequently and often for works of a particularly turbulent cast. [citation needed] Mozart, for instance, wrote only very few works in this key, but they are among his most dramatic ones (the twenty-fourth piano concerto, the fourteenth piano sonata, the Masonic Funeral Music, the Adagio and Fugue in C minor and the Great Mass in C minor, for instance).
This étude differs from most of Chopin's in its tempo, its poetic character and the lingering yet powerful recitation of its cantabile melody. It marks a significant departure from the technical virtuosity required in standard études before Chopin's time, though, especially in the third volume of Muzio Clementi's Gradus ad Parnassum (1826), slow études for polyphonic playing, especially ...
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