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Lion, a Newfoundland Dog is an 1824 oil painting by the English artist Edwin Landseer. [1] [2] [3] It portrays a variant of the traditional Newfoundland dog, now known as the Landseer dog due to its use in this painting and others by Landseer including A Distinguished Member of the Humane Society in 1831. This work was commissioned by Lion's owner.
In July 2011, the price of Russell's work soared again. His 1892 oil painting Water for Camp (depicting Native American women dipping pots into a stream) and his 1924 watercolor A Dangerous Sport (in which two cowboys lasso a mountain lion) sold for nearly $1.5 million each. [21]
Laurence Stephen Lowry RBA RA (/ ˈ l aʊ r i / LAO-ree; 1 November 1887 – 23 February 1976) was an English artist.His drawings and paintings mainly depict Pendlebury, Greater Manchester (where he lived and worked for more than 40 years) as well as Salford and its vicinity.
Pencil drawings were not known before the 17th century, [1] with the modern concept of pencil drawings taking shape in the 18th and 19th centuries. [1] Pencil drawings succeeded the older metalpoint drawing stylus, which used metal instead of graphite. [1] Modern artists continue to use the graphite pencil for artworks and sketches. [1]
As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house.
Cecil Charles Windsor Aldin (28 April 1870 – 6 January 1935), was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rural buildings in chalk, pencil and also wash sketching.
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Briton's father, William Rivière (1806–1876), was for some years drawing-master at Cheltenham College, and then an art teacher at the University of Oxford. Briton was educated at Cheltenham College and Oxford, where he took his degree in 1867. For his art training he was indebted almost entirely to his father. [2]