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Panchamukha (Sanskrit: पञ्चमुख, romanized: Pañcamukha, lit. 'five faces'), also rendered Panchamukhi, is a concept in Hindu iconography, in which a deity is represented with five heads. [1] Several Hindu deities are depicted with five faces in their iconography, such as Hanuman, Shiva, Brahma, Ganesha, and Gayatri. [2]
Shiva Tandava is described as a vigorous dance that is the source of the cycle of creation, preservation and dissolution. While the Rudra Tandava depicts his violent nature, first as the creator and later as the destroyer of the universe, even of death itself, the Ananda Tandava depicts him as joyful.
The word Nataraja is a Sanskrit term, from नट Nata meaning "act, drama, dance" and राज Raja meaning "king, lord"; it can be roughly translated as Lord of the dance or King of the dance. [ 22 ] [ 23 ] According to Ananda Coomaraswamy , the name is related to Shiva's fame as the "Lord of Dancers" or "King of Actors".
Shiva dropped his earring on the ground, picked it by the toe of his left leg and fixed it back on his ear in the dance. Kali accepted her defeat and said she could not do such a marvellous dance. Shiva said that he alone was equal to her and said further that those coming to worship him here, should worship her first to reap the full benefit ...
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
The Perini Shiva Thandavam is a dance form usually performed by males. It is called 'Dance of Warriors'. Warriors before leaving to the battlefield enact this dance before the idol of Lord Shiva. [4] The dance form, Perini, reached its pinnacle during the rule of the Kakatiyas who established their dynasty at Warangal and ruled for almost two ...
The destruction of the three cities accomplished, Shiva stood upon the ruins and began to perform the great dance of Tandava Nritya (known also as Tripura Nasha Nartana) by which (as Nataraja, Lord of the Dance) he alternately calls the cosmos into being and banishes it into non-existence in an endless cycle like the beating of a heart. [2] [3]
Like many other poses used in traditional Indian dance, including Odissi, Bharata Natyam and Kathak, Tribhangi or Tribhanga can be found in Indian sculpture as well. . Traditionally the Yakshi is shown with her hand touching a tree branch, and a sinuous pose, tribhanga pose, as is Salabhanjika, whose examples dating to the 12th century can be found in the Hoysala temples of Belur, in south ...