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Figure–ground organization is a type of perceptual grouping that is a vital necessity for recognizing objects through vision. In Gestalt psychology it is known as identifying a figure from the background. For example, black words on a printed paper are seen as the "figure", and the white sheet as the "background". [1]
Gestalt psychology, ... Figure-ground organization is a form of perceptual organization, which interprets perceptual elements in terms of their shapes and ...
Figure and ground (media), a concept developed by media theorist Marshall McLuhan; Figure–ground (perception), referring to humans' ability to separate foreground from background in visual images. Figure-ground perception is one of the main issues in gestalt psychology. Figure-ground in map design, the ability to easily discriminate the main ...
Rubin's figure–ground distinction, since it involved higher-level cognitive pattern matching, in which the overall picture determines its mental interpretation, rather than the net effect of the individual pieces, influenced the Gestalt psychologists, who discovered many similar percepts themselves.
Figure and ground is a concept drawn from Gestalt psychology by media theorist Marshall McLuhan in the early 1970s. This concept underpins the meaning of his famous phrase, "The medium is the message". The concept was an approach to what was called "perceptual organization."
The principles of grouping (or Gestalt laws of grouping) are a set of principles in psychology, first proposed by Gestalt psychologists to account for the observation that humans naturally perceive objects as organized patterns and objects, a principle known as Prägnanz. Gestalt psychologists argued that these principles exist because the mind ...
The watercolor illusion has had much debate over whether it can be described by Gestalt psychology.Watercolor illusion has been considered a case of the Gestalt principles by some because of the similarity principles that describe the figure-ground (perception).
Gestalt psychology [ edit ] Having specialized in figure–ground organization , Rubin spent the following two years as a research associate for Georg Elias Müller in Göttingen , Germany , examining the recognition of visual figures at different angles and sizes.