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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
The Holy Trinity is an important subject of icons in Eastern Orthodox Christianity, and has a rather different treatment from depictions in the Western Churches. There are two different types of Holy Trinity icons: the Old Testament Trinity and the New Testament Trinity (Троица Ветхозаветная and Троица ...
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The Trinity depicts the three angels who visited Abraham at the Oak of Mamre (Genesis 18:1–8), but the painting is full of symbolism and is interpreted as an icon of the Holy Trinity. At the time of Rublev, the Holy Trinity was the embodiment of spiritual unity, peace, harmony, mutual love and humility. [6]
The Holy Spirit as a dove in the Annunciation by Rubens, 1628. The Holy Spirit has been represented in Christian art both in the Eastern and Western Churches using a variety of depictions. [1] [2] [3] The depictions have ranged from nearly identical figures that represent the three persons of the Holy Trinity from a dove to a flame. [4]
The Gonzaga Family in Adoration of the Holy Trinity (also, The Trinity Adored by the Gonzaga Family or The Gonzaga Trinity) is a painting by the Flemish artist Peter Paul Rubens, housed in the Ducal Palace in Mantua, Italy. The work was commissioned by Duke Vincenzo I Gonzaga for the Jesuit church in Mantua, while Rubens was his court painter.
Corbinian's symbol is the saddled bear. According to his hagiography, a bear killed Corbinian's pack horse on the way to Rome and so the saint commanded it to carry his load. Once he arrived in Rome, however, he let the bear go, and it lumbered back to its native forest. [9] Both the heraldic element and the legend itself carry significant ...