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The Four Apostles by is a Renaissance style diptych painting created by Albrecht Dürer in 1526. [1] This work, which includes two oil-on-panel paintings, depicts four prominent figures of Christianity: Saints John, Peter, Mark, and Paul.
Fedja Anzelewsky: Albrecht Dürer. Das malerische Werk. Deutscher Verlag für Kunstwissenschaft, Berlin 1971, ISBN 3-871-57-0400. 2nd edition in two volumes, 1991, ISBN 3-871-57-1377. Norbert Wolf: Albrecht Dürer, Prestel, München 2010, ISBN 978-3-7913-4426-3.
The Holy Family with Three Hares is a c. 1496 woodcut by German artist Albrecht Dürer (1471–1528). It depicts the Christian Holy Family of Mary, Joseph, and the infant Jesus, in an enclosed garden, symbolizing Mary's virginity.
The Complete Engravings, Etchings and Drypoints of Albrecht Durer. Mineola NY: Dover Publications, 1973. ISBN 0-486-22851-7; Borchert, Till-Holger. Van Eyck to Dürer: The Influence of Early Netherlandish painting on European Art, 1430–1530. London: Thames & Hudson, 2011. ISBN 978-0-500-23883-7; Wolf, Norbert. Albrecht Dürer. Cologne ...
The Carlhians and their heirs did not believe the piece was an authentic drawing by Dürer, assuming instead that it was a reproduction. [3] After the deaths of Jean-Paul and Elizabeth, in 2016, an anonymous buyer purchased the work at their estate sale, paying $30. [ 1 ]
Christ among the Doctors is an oil painting by Albrecht Dürer, dating to 1506, now in the Museo Thyssen-Bornemisza, Madrid, Spain.The work belongs to the time of Dürer's sojourn in Italy, and was according to its inscription executed incidentally in five days while he was working on the Feast of the Rosary altarpiece in Venice.
Wikidata:WikiProject sum of all paintings/Creator/Albrecht Dürer Wikidata:WikiProject sum of all paintings/Collection/Bavarian State Painting Collections/16th Century Q116731690
The composition is intimate, but the viewer has difficulty locating himself in relation to the picture's space. Thomas Puttfarken suggests that while the scene is very close to the observer, Dürer did not intend the viewer to feel present: "the intimacy is not ours, but the saint's as he is engrossed in study and meditation" (94).