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ProQuest Dissertations and Theses (PQDT) is an online database that indexes, abstracts, and provides full-text access to dissertations and theses.The database includes over 2.4 million records and covers 1637 to the present.
Dan McCormack's photographs can be found in a number of textbooks--Light and Lens: Photography in the Digital Age (2007) and Exploring Color Photography (2004)--as well as in the collections of the Museum of Fine Arts, Houston; [7] the Center for Creative Photography, University of Arizona; the Visual Studies Workshop in Rochester, New York ...
However, in the digital realm, it could be argued that the constant state of technological change will cause a digital user to keep upgrading and buying other equipment once their digital camera becomes quickly obsolete. [14] Other costs of digital photography include specialized batteries, memory cards and long-term data storage.
Heavy smog in Los Angeles, 1973, Gene Daniels. Documerica (portmanteau of "document" and "America"; stylized as DOCUMERICA) was a program sponsored by the United States Environmental Protection Agency to "photographically document subjects of environmental concern" in the United States from about 1972 to 1977.
Meadows was born in Great Washbourne, Gloucestershire, "in the middle of nowhere on the edge of the Cotswolds", on 28 January 1952.Both of his parents had Suffolk origins; his father was a land agent for the Dumbleton Estate, in which the family lived; his mother developed multiple sclerosis when Daniel was young and this gradually became more acute.
Dan Holdsworth (born in 1974 in Welwyn Garden City, England) [1] is a British photographer who creates large-scale photographs and digital art characterized by the use of traditional techniques and unusually long exposure times, and by radical abstractions of geography.
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An example of dodge & burn effects applied to a digital photograph. Dodging and burning are techniques used during the printing process to manipulate the exposure of select areas on a photographic print, deviating from the rest of the image's exposure.