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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.
In grammar, an oblique (abbreviated OBL; from Latin: casus obliquus) or objective case (abbr. OBJ ) is a nominal case other than the nominative case and, sometimes, the vocative . A noun or pronoun in the oblique case can generally appear in any role except as subject , for which the nominative case is used. [ 1 ]
In linguistics, an object is any of several types of arguments. [1] In subject-prominent, nominative-accusative languages such as English, a transitive verb typically distinguishes between its subject and any of its objects, which can include but are not limited to direct objects, [2] indirect objects, [3] and arguments of adpositions (prepositions or postpositions); the latter are more ...
For example, it was a letter from the Revival poet Andrew Crozier which prompted Rakosi's return to poetry. Amidst the continuous reappraisals, critical and otherwise, of the legacy and literary formation of the Objectivists, a well known mapping of the territory continues to be one put forth by poet Ron Silliman : "three-phase Objectivism".
The English subjunctive is realized as a finite but tenseless clause.Subjunctive clauses use a bare or plain verb form, which lacks any inflection.For instance, a subjunctive clause would use the verb form "be" rather than "am/is/are" and "arrive" rather than "arrives", regardless of the person and number of the subject.
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
In narratology, focalisation is the perspective through which a narrative is presented. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing an omnisicent narrator. [2]