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Bouzouki in the Museum of Greek Folk Musical Instruments in Athens. The Greek bouzouki is a plucked musical instrument of the lute family, called the thabouras or tambouras family. The tambouras existed in ancient Greece as the pandura, and can be found in various sizes, shapes, depths of body, lengths of neck and number of strings.
Irish Bouzouki: G 2 G 2 •D 3 D 3 •A 3 A 3 •D 4 D 4. Tenor Mandolin, Irish Bouzouki, Octave mandola (Europe) Pitched 1 octave below the mandolin. Mandolin, piccolo: 8 strings 4 courses. C 4 C 4 •G 4 G 4 •D 5 D 5 •A 5 A 5: Brilliant tone mandolin Tuned a 4th above the mandolin; 1 octave above the mandola. Mandriola: 12 strings 4 ...
Chord Bible is the generic name given to a variety of musical theory publications featuring a large number of chord diagrams for fretted stringed instruments. The subject matter applies exclusively to chordophones , stringed musical instruments capable of playing more than one note at a time.
Greek musical instruments were grouped under the general term "all developments from the original construction of a tortoise shell with two branching horns, having also a cross piece to which the stringser from an original three to ten or even more in the later period, like the Byzantine era". Greek musical instruments can be classified into ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
The tzouras (Greek: τζουράς), is a Greek stringed musical instrument related to the bouzouki. Its name comes from the Turkish cura. It is made in six-string and eight-string varieties. Similar musical instruments in Turkish culture are generally referred to as Bağlama.
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The Irish bouzouki (Irish: búsúcaí) [1] is an adaptation of the Greek bouzouki (Greek: μπουζούκι).The newer Greek tetrachordo bouzouki (4 courses of strings) was introduced into Irish traditional music in the mid-1960s by Johnny Moynihan of the folk group Sweeney's Men, who retuned it from its traditional Greek tuning C³F³A³D⁴ to G²D³A³D⁴, a tuning he had pioneered ...