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Trouble Man is the first soundtrack album released by American soul singer Marvin Gaye, on December 8, 1972, on Motown-subsidiary label Tamla Records.As the soundtrack to the 1972 blaxploitation film of the same name, the Trouble Man soundtrack was a more contemporary move for Gaye, following his politically charged album What's Going On.
His 1965 album, Moods of Marvin Gaye, became his first album to reach the top ten of the R&B album charts and spawned four hit singles. Gaye recorded more than thirty hit singles for Motown throughout the 1960s, becoming established as "the Prince of Motown". Gaye topped the charts in 1968 with his rendition of "I Heard It Through the Grapevine ...
Marvin Pentz Gaye Jr. (né Gay; April 2, 1939 – April 1, 1984) [1] was an American singer, songwriter, musician, and record producer. He helped shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, which earned him the nicknames "Prince of Motown" and "Prince of Soul".
and "It Takes Two") and Tammi Terrell ("Your Precious Love" and "Good Lovin' Ain't Easy to Come By"). It was the original album release of "Good Lovin' Ain't Easy to Come By," which later appeared on Easy. His solo album M.P.G. (named with his initials), was released simultaneously, on Gaye's thirtieth birthday.
The album version of "Let's Get It On" features soulful and emotional singing by Gaye that is backed by multi-tracked background vocals, also provided by Gaye, along with the song's signature, and most notable, funky guitar arrangements. In an article for Rolling Stone magazine, music critic Jon Landau wrote of the song:
From the wah-wah guitar that opens the title track to the operatic closer “Just to Keep You Satisfied,” Marvin Gaye’s 1973 album “Let’s Get It On” expressed the joy — and complexity ...
Gaye recorded the album during 1975 and 1976 at his studio Marvin's Room in Los Angeles and at Motown's Los Angeles–based Hitsville West studio. The album has often been noted by critics for producer Leon Ware's cinematic, downtempo sound, the erotic themes in his and Gaye's songwriting, and the singer's prominent use of the synthesizer.
The hit song, which Gaye co-wrote with former Memphis resident Ed Townsend, was released on Gaye's 1973 album "Let's Get It On" and hit number 1 on the Billboard singles chart within a few months.
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