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Italian term Literal translation Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello ...
Italian music terminology consists of words and phrases used in the discussion of the music of Italy. Some Italian music terms are derived from the common Italian language. Others come from Spanish, or Neapolitan, Sicilian, Sardinian or other regional languages of Italy. The terms listed here describe a genre, song form, dance, instrument ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Lucio Battisti, from the late 1960s until the mid-1990s, merged the Italian music with the British rock and pop and, lately in his career, with genres like the synthpop, rap, techno and Eurodance, while Angelo Branduardi and Franco Battiato pursued careers more oriented to the tradition of Italian pop music. [59] There is some genre cross-over ...
The term Italian music is ambiguous and may refer to several topics: The music of Italy; The folk, popular, classical (especially opera) musics of Italy and the Italian peoples; The music of Italian people in the United States or other countries
"Il Silenzio" ("The Silence") is an instrumental piece, with a small spoken Italian lyric, notable for its trumpet theme. It was written in 1965 by trumpet player Nini Rosso, [1] its thematic melody being an extension of the same Italian Cavalry bugle call Il Silenzio d’Ordinanza used by Russian composer Tchaikovsky to open his Capriccio Italien (often mistaken for the U.S. military bugle ...
Divertimento / d ɪ ˌ v ɜːr t ɪ ˈ m ɛ n t oʊ / (Italian: [divertiˈmento]; from the Italian divertire "to amuse") is a musical genre, with most of its examples from the 18th century. The mood of the divertimento is most often lighthearted (as a result of being played at social functions) and it is generally composed for a small ensemble .
This genre sometimes featured music that was meant to be evocative of certain imagery such as birds or the marketplace. Many of these Parisian works were published by Pierre Attaingnant . Composers of their generation, as well as later composers, such as Orlando de Lassus , [ clarification needed ] were influenced by the Italian madrigal .