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Castanets, also known as clackers or palillos, are a percussion instrument , used in Spanish, Calé, Moorish, [1] Ottoman, Italian, Mexican, Sephardic, Portuguese, Philippine, Brazilian, and Swiss music. In ancient Greece and ancient Rome there was a similar instrument called the crotalum.
They brought with them the accordion, polkas music and dance. Their music influenced the Tejanos. Central to the evolution of early Tejano music was the blend of traditional forms such as the corrido and mariachi, and Continental European styles, such as polka introduced by German, Polish, and Czech settlers in the late 19th century. [5]
However the Spanish did not object to the Native-Americans learning to play European instruments. [1] The Native-Americans took their drum rhythms and incorporated then into music on the lutes to "preserve the original beats of Danza rhythms." [1] They used the Spanish instruments to "preserve their own songs, rhythms and sacred knowledge." [1]
Norteño music developed from a blending of Mexican and Spanish oral and musical traditions, military brass band instrumentation, and European musical styles such as polka and waltz. [ 3 ] [ 4 ] European immigrants from Germany, Poland, and Czechoslovakia to northern Mexico and the southwestern United States also brought dance traditions such ...
Tarrañolas (Asturian and Spanish: tejoletas) are strips of wood held between the fingers. Charrasco consists of a pole with a frame on the top adorned with tambourine rattles; it is played by rubbing a string along the pole with a stick. Other percussion instruments are canaveira and carraca.
[citation needed] Non-traditional instruments were often added, such as the accordion (in place of the bandoneon), saxophone, clarinet, ukulele, mandolin, electric organ, etc., as well as lyrics in non-Spanish languages. European tango became a mainstream worldwide dance and popular music style, alongside foxtrot, slow waltz, and rumba.
Rondalla Alginet, beginning 1900's. The rondalla has its origins in the folk playing bands from Spain that were forerunners of the present-day rondalla and included four types: groups of young men who played and sang regularly in front of homes, bands of musicians known as murza or murga who begged for alms, a group of musicians known as comparza who played on stage, and groups of university ...
Son mexicano (Spanish: [ˈsom mexiˈkano]) is a style of Mexican folk music and dance that encompasses various regional genres, all of which are called son. The term son mexicano literally translates to “the Mexican sound” in English. Mexican sones are often rooted in a mix of Spanish, African, and Indigenous musical elements.