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The carvings of the deity Mangala is in typical Odia style, having khilana & prabha back to her sitting place. The architecture of temple is a typical example of Utkaliya Peedha Vimana Style. There is a bed made of solid stone on which it is said Maa Mangala rests after touring the entire universe every day.
The Maa Jhanjiri Mangala Temple, or Jhanjiri Mangala Mandir is an ancient Hindu mandir (temple) dedicated to Mangala (Maa Mangala ), the presiding deity of the Cuttack City in Odisha, India. One of numerous temples in Cuttack, [ 1 ] it is located at the area of Jhanjiri Mangala and is known also as Mangala Temple at Jhanjirimangala Square .
Manikeshwari Temple is located in Kalahandi district of Odisha, India.The temple is located to the south of odisha.The main deity here is Goddess Manikeshwari. She is the Ishta Devi of Nagavanshi Khyatriya's.
Whereas, the Maa Bagalamukhi Temple, Bankhandi, HP is a prominent place of worship of the goddess, thronged by huge crowds during Fridays and other festive seasons. According to Hindu Puranas , Rama , guided by Hanuman , worshipped Mata Baglamukhi to secure victory over the demon king Ravana .
The theme of Odia painting centres round the Jagannath and the Vaishnava sect. Since beginning of Pattachitra culture, Lord Jagannath who was an incarnation of Lord Krishna has been the major source of inspiration. The subject matter of Pattachitra is mostly mythological, religious stories and folk lore.
A literary digital magazine, Banamallira Mahak, [4] based upon Odia literature and culture has been published in Mangalajodi. Banamallira Mahak is a non-profit digital web magazine, whose aim is to store and promote Odia literature worldwide. A digital platform for self expression by the writers, their literary creativity and thoughts round the ...
Mangala Temple was constructed in the 19th century CE and is located in Village Patia in Bhubaneswar, the capital of Odisha. The enshrined deity is the four-armed Mangala . The deity holds a conch in her upper right hand and a wheel in her lower left hand.
This book is the 6th volume of the original book and was published in 1896. Currently, none of the previous versions of this book are available anywhere in either physical or digital form. The photocopy of this book was collected from Nirmal Kanta Mohanty and then the digital restoration was done by Subhashish Panigrahi.