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Pendet dancers offering a greeting. The original Pendet dance is performed by 4-5 young pre-pubescent girls in the yards of Balinese Hindu temples. Pendet is the presentation of an offering in the form of a ritual dance. Unlike sacred ritual dances that demand arduous training, Pendet may be danced by anyone, taught simply by imitation.
I Mario taught his students how to dance kebyar duduk, and thus it proliferated throughout Bali. [1] One such student, I Wayan Badra, performed for President Sukarno in the 1950s. By 2004 the dance was becoming rare, [ 4 ] but its popularity increased, such that in 2011 a competition for dancing kebyar duduk and one of Mario's other creations ...
Traditionally, sacred dances can only be performed in temples. However, new choreographies have been created due to the demand from tourists. One example, Tari Sekar Jagat (Tari means dance in the Balinese language), is a relatively new choreography that has become popular. In the newer creations, choreographers have more freedom over the moves.
To create what would become panyembrama, Beratha combined the most beautiful moves of traditional dances such as legong, condong, and pendet. [ 2 ] [ 5 ] [ 6 ] Ethnomusicologist Zachar Laskewicz writes that the continued inspiration of these dances allows similar texts to be interpreted from the panyembrama performance. [ 7 ]
Kecak dance performances in Bali usually take place daily in the evening (6 pm, Bali time) at Balinese Hindu temples such as Uluwatu Temple and Tanah Lot. There are also dance stages used exclusively for kecak performances in Ubud , Garuda Wisnu Kencana , Batu Bulan, Pandawa beach and other places in Bali.
The dance is performed by two women, [3] one portraying a male bird of paradise, and one portraying a female; the dance takes the form of a mating ritual. [11] The dancers are dressed in Pandji-style headdresses with feathers stuck in them, as well as long flowing scarves or skirts with a pink stripe. [5]
Country: Indonesia: Reference: 00617: Region: Asia and the Pacific: Inscription history; Inscription: 2015 (10th session) List: Representative: Wali Sacred Dances (Rejang, Sanghyang Dedari, Baris Upacara), Bebali Semi sacred Dances (Topeng Sidhakarya/Topeng Pajegan, Gambuh dance drama, Wayang Wong dance drama), Balih-balihan Entertainment Dances (Legong Kraton, Joged Bumbung, Barong Ket)
[2] [4] Emiko Susilo writes, "when the dance-dramas of Majapahit came to Bali, they had the new task of preserving the tradition of a fallen dynasty" [4] (emphasis in original). It also introduced a new element of narrative to Balinese performing arts that influenced other forms of dance-drama on the island, such as topeng masked dance and arja ...